Mini-Biography:
The day of birth of Bluebird Photoplays Inc. is not on record. an American Produktion, known for The scarlet drop (1918), Little Eve Edgarton (1916), The Love Girl (1916), Bluebird Photoplays Inc.'s first movie on record is from 1915. His last motion picture on file dates from 1919.
Zivotopisné poznámky (v němčině):
Bluebird Photoplays - A Chronology
1916
1916 - January 1: "Bluebird Photoplays, Inc. enters film field", Exhibitor's Herald January 01, 1916, pg 13
"Undine" Follows "Secret Love" From the Bluebird Latter Is Scheduled for Release on January 31— Third in the Brand, "Winch Was Directed by Henry Otto, Will Be Followed by "Hop, the Devil's Brew"
BLUEBIRD PHOTOPLAYS have stirred advance interest that seems to promise an immediate success when the release of Mme. Sarah Bernhardt's "Jeanne Dore" goes into effect this week. The preliminary release of the Bernhardt feature in New York and vicinity was marked by great public interest.
The release for January 31, immediately following Bernhardt, will be Helen Ware's portrayal of Joan Lowrie in "Secret Love," a feature founded on Mrs. Frances Hodgson Burnett's novel, "That Lass o' Lowries"; and the third Bluebird will be "Undine."
Henry Otto, who produced the screen version of De La Motte Foquet's fairy tale, went to the Catalina Islands, off the California coast, to find suitable land and water opportunities to realize the great possibilities of the picture phantasy. There, among the grottos and along the beautiful stretches of shore, he found settings for some wonderful photography.
_ "Hop, the Devil's Brew" is scheduled for release, following "Undine," on February 14. This feature has as its basis the traffic in opium, and in working out the details, customs officials of San Francisco co-operated.
As indicating the success that has attended the early campaign, M. H. Hoffman, executive manager of Bluebird Photoplays, Inc., said, in an interview with Motion Picture News, the other day : "I like these long winter nights. They give me so much more time to add to a day's work. We have been forced to unprecedented activities by the demands exhibitors have made upon us for Bluebird Photoplays.
"The news that the Bernhardt film had been pre-released in New York spread quickly throughout the country, and this evidence that 'Jeanne Dore' was actually arriving at a general release has flooded us with demands for the film.
"Whether Bernhardt shall ever come to America remains a question that time alone can solve ; but it is a certainty that she cannot come for many months, even if she is ever able to appear upon the stage over here again.
"The fact that Bluebird has her in pictures, and in the last play she appeared in, is an advantage exhibitors have been quick to realize, and they are anxious to 'cash' on the great amount of interest in Bernhardt that the cable reports to the daily papers are creating.
"There is great demand for the subsequent Bluebird releases. Helen Ware, in 'Secret Love,' is a wonderful feature, full of sensations, and when exhibitors get 'Undine' they will realize what a real feature can do in the way of creating public interest.
"I look for 'Undine' to become the most talked about and sensational feature of the season. Yes, indeed, it looks pretty good for Bluebird and those who exhibit our features." (Motion Picture News, February 5, 1916, pg 501)
Bluebird Advertising in Journals Fixes Attention "The Copy" Combines Good Taste with Originality Kept Constantly on Tap by the BLUEBIRD PHOTOPLAYS, INC., have recently attracted attention by the artistic appearance of their advertising in the trade journals.
This advertising combines good taste with effective appeal, and mechanically is excellent. One of the notable things about it is its large amount of white space. There is enough type to carry the message, but the advertisement is not overcrowded.
Panel effects arc used for these advertisements, and the whole tone is white and gray rather than old-fashioned black, from which advertisers of every description are fast getting away.
The Bluebird publicity department is also issuing very complete press matter tor their features. This is printed on Effective Appeal and Indicates a Fount of "Fountaineers" of the Publicity Department light blue stock, and contains complete synopsis of the play, gossip about the stars and various other items intended for use in newspapers.
Each story has a couple of blank lines in which may be inserted the theatre name and dates of showing.
Instead of printing a large sheet, the Bluebird people hit upon the idea of using a page, 11 x 8 T 4, with one side blank. Six of these pages are printed together, and fold conveniently. Another is inserted. This form is more serviceable than the customary broadside.
The last page carries specimens of stock cuts supplied for newspaper use. These are built along the distinctive lines of the Bluebird advertising mentioned above.(Motion Picture News, February 12, 1916, pg 860)
"Tangled Hearts" Is First Bluebird for April [1916]
FOR the third month of Bluebird Photoplays the April showings arranged by General Manager M. H. Hoffman promise to easily maintain the standard that has thus far marked the progress of the newly-established program of features.
Louise Lovely, in "Tangled Hearts," will start the month with a society problem play in which she is supported by Agnes Vernon and Marjorie Ellison, Lon Chaney, Haywood Mack and Jay Belasco.
Tyrone Power, in "John Needham's Double," makes his debut as a Bluebird star, April. The play was used to first introduce the late E. S. Willard to American theatregoers. The Smalleys directed.
Violet Mersereau joins the Bluebird family to appear as star in the release for April 17 — "The Great Experiment." Rex Ingram furnished the scenario and has directed the production of a psychological problem play which approaches criminology from a new angle.
The feature released April 24 will be "The Gay Lord Waring" with J. Warren Kerrigan the star. This is from the story of Houghton Townley, the scenario by F. McGrew Willis. Otis Turner directed. (Motion Picture News, April 1, 1916, pg 1872 )
Bluebird Themes Fit in with Daily News "Stories" "The Yaqui," Pictured on Mexican Soil, Is Given Special Interest by Villa Chase, and "Great Problem," Prison Reform Play, Bears on Osborne Case
IT becomes opportune to note the success Bluebird photoplays have made under the direction of General Manager M. H. Hoffman, both as a strictly commercial achievement and as exponents of timeliness in theme and general interest.
Of the fourteen features that have been either released or announced, one out of four has touched upon a subject that has held the interest and attention of the general public right at a time when the newspapers carried many columns treating matters from a news standpoint.
The Sarah Bernhardt release started the program, immediately it became known, through cable dispatches, that the great French tragedienne could not fulfill her American engagements this year and, in all probability, may never again appear on the stage in a complete drama.
The constantly increasing unrest in Mexico, culminating in the present open hostilities, gave an opportunity to exhibitors to make profitable use of "The Yaqui," a feature pictured on Mexican soil, and showing much the same territory over which the United States troops are now operating.
In this feature real Mexican soldiers are employed in the battle scenes, and there is a faithful representation of conditions in Mexico.
During the past few days every newspaper in the land has been carrying frontpage stories of the Peck murder case, involving Dr. Waite of New York. "Hop, the Devil's Brew," a recent release on the Bluebird program, is based upon the importation of opium and the traffic in habitforming drugs.
Last week Warden-on-Leave Osborne, of Sing Sing Penitentiary, was vindicated in one set of charges and his trial on further indictments is set for early April.
"The Great Problem," to be released by Bluebird Photoplays on April 17 is based an the psychology of crime as addressed specifically to prison reform.
While the great penologist "Tom Brown" — the name assumed by Mr. Osborne when he became a voluntary prisoner at Auburn Penitentiary — is not directly referred to in "The Great Problem," the theories on which he bases his activities constitute the motive of the film.
Rex Ingram wrote and directed the piece and Violet Mersereau is introduced as a Bluebird star for the first time in "The Great Problem."
(Motion Picture News, April 8, 1916, pg 2032)
«There have been a number of changes at Universal City. For the immediate present, Robert Leonard will direct only, and Herbert Rawlinson will play opposite Ella Hall in " Little Eve Edgarton." In this cast also is Doris Pawn, who recently left the Universal and played lead in a Fox production made by Raoul Walsh. Other notables in this cast are Thomas Jefferson who is playing the character part. The story is an adaptation from the book of the same title by Eleanor H. Abbott, and will be a five-reel Bluebird feature.» (Motion Picture News, June 10, 1916, pg 3567)
It seems at that time there was a confusion with another emerging production division at Universal's, Red Feather Photoplays. Red Feather had similar subjects and using more or less the same directors and production units, but their productions were designed to be on a lower budget scale than the Bluebirds. Several pictures were announced as Bluebirds but then released as Red Feathers, among them Dorothy Phillips first Californian pix "The Mark of Cain," announced as "By Fate's Decree" [q.v.] or Jack Conway's "The Beckoning Trail" [q.v.]
THE Crippled Hand was produced at an expenditure exceeding $50,000.00. It is by far the costliest and most lavish five reel feature ever released. It sets a new standard for photo play features, and is indicative of the high standard set by BLUEBIRD Photo Plays— for all other producers to follow. (...) BLUEBIRD Advertising Matter for Exhititors reflects the extremely high character of BLUEBIRD Photoplays — the features known as " the world s finest screen productions. Posters by artists who know how to combine punch with artistic value; heralds of most appropriate design and color; the most elaborate hand colored photo lobby displays ever produced — all are supplied at prices which permit their most liberal use. From every angle of self interest the Exhibitor will find BLUEBIRD Photoplays the most profitable features productions anywhere in the world today. (Motion Picture News, April 29, 1916, pg 2554)
1916 - July 29: "Bluebird Plays to Feature - Not Stars," Company will exploit Productions in Campaign of National Advertising, says M. H. Hoffman, Exhibitor's Herald, July 29, 1916, pg 30
1916 - August 26: "Bluebird is ready for new season with strong features", Exhibitor's Herald, August 26, 1916, pg 42
«Bluebird Has Three Months’ Releases Ready for Exhibitors Saving the Family Name” and “Wanted, A Home,” Will Feature Mary MacLaren, with Phillips Smalley — “Idle Wives” Also a Smalley-Weber Film
General manager M.H. Hoffman announces that there are enough Bluebird features ready for release to supply the program for three months to come, and Bluebird directors are busy with their preparations for future release. September will start the season with four subjects of a widely diversified nature: “ The Unattainable,” a problem drama, introducing Dorothy Davenport and Emory Johnson to the Bluebird program; “ Saving the Family Name,” a Lois Weber production, featuring Mary MacLaren, the heroine of “ Shoes,” with Phillips Smalley as her leading man; “Behind the Lines,” a military drama, featuring Harry Carey and Edith Johnson; and “The Evil Women Do,” a good old-fashioned melodrama, based on Emil Gaboriau’s detective story, “ The Clique of Gold,” in which Elsie Jane Wilson, Francelia Billington, and Rupert Julian will be prominent.
There will be another Lois Weber’s production October 2, to start the second month of the season, Mary MacLaren again being featured in “ Wanted — a Home.” Lois Weber wrote the scenario and directed While the dates are not definitely set, the other October Bluebirds will be drawn from a large selection of subjects ready to release ; among them being : Mendelssohn’s “ Spring Song,” featuring Ruth Stonehouse and Rupert Julian; “The Social Buccaneer,” wherein Louise Lovely and J, Warren Kerrigan, previous lone-stars on the Bluebird program, will unite in portraying Frederick S. Isham’s story ; “ The Chalice of Sorrow,” which will introduce Cleo Madison to the Bluebird series, under Rex Ingram’s direction; and Lois Weber’s presentation of James Oppenheim’s story, “ Idle Wives,” wherein Miss Weber, Phillips Smalley, and Mary MacLaren will be featured. (Motion Picture News, September 9, 1916, pg 1523)
Ella Hall is to be the star of a five-reel Bluebird, written by Fred Myton, Universal staff author. This has not been placed in production as yet. The title is “ Pawn,” the story getting its name from the girl who knows practically nothing of the world beyond the pawn shop in which she has spent much of her life. (Motion Picture News, September 9, 1916, pg 1541)
1916: The changes incident in shifting Bluebird's policy to the broader and more substantial purpose of advertising the play instead of the player will bring several new leading ladies into the series during the next few weeks. Cleo Madison, who has been directing productions on her own account, will make her first appearance as a Bluebird on Oct. 9 in "The Chalice of Sorrow." Roberta Wilson will appear In "The Heritage of Hate," Oct. 23 : Grace Carlyle will be the leading woman for Herbert Rawlinson In "The Eagle's Wing," and Ruth Stonehouse will be seen in several Bluebirds starting with Mendelssohn's "Spring Song" or another play, "Klnkaid Gambler" which is awaiting to be scheduled. [Variety, 1916 pg 49 / 1331-pdf]
1916 - November 10: "Bluebird will exploit films along state rights basis plan", Exhibitor's Herald, November 10, 1916, pg 28
1917
1917 - March 24: "Bluebird has sufficient number of films on list to last till June", Exhibitor's Herald, March 24, 1917, pg 43
1917 - June 23: «Best of the Bluebirds - S.B. Kramer, manager of the New York Bluebird offices, names the ten most popular Bluebird productions as "The Eagle's Wings," a special feature; "The Bugler of Algiers," with Rupert Julian and Ella Hall; "God's Crucible," with Myrtle Gonzalez and George Hernandez; "The Mysterious Mrs. M.," with Mary MacLaren and Harrison Ford; "Mutiny," with Miss Gonzalez and Mr. Hernandez; "Polly Red Head," with Ella Hall; "The Clock," with Franklyn Farnum; "A Jewel in Pawn," with Miss Hall; "Little Miss Nobody," with Violet Mersereau and "Treason," with Allen Holubar and Lois Wilson. Mr. Kramer places "The Eagle's Wings," wich deals with national preparedness, as the most popular Bluebird screened. It is playing, he says, three and four returns to the same theaters.» [The New York Dramatic Mirror, June 23, 1917, pg 7]
1917 - July 3: Shifts in Schedule The original date for circulating "The Little Terror" on the Bluebird program, with Violet Mersereau as the star, was July 23, but owing to delay in securing the negative it has been necessary to move the Mersereau picture to July 30, switching with Dorothy Phillips, in "The Rescue," formerly announced for that date. This will bring Miss Phillips to exhibitors July 23, three weeks after she appears in "Fires of Rebellion."
The date for distributing Franklyn Farnum and Brownie Vernon's comedy drama, "The Clean-up," remains August 9, but no definite announcements are made after that issue of Bluebird's. There are, however, numerous releases ready for schedule, including attractions for Ella Hall ("Little Miss Fix-It"); Rupert Julian and Ruth Clifford ("My Mother"); Neva Gerber and George Hernandez ("Mr. Opp"); Dorothy Phillips ("Triumph"); and Franklyn Farnum and Brownie Vernon (The Fourth Glove").
These features being complete, Bluebird directors are turning their attention to the future. Both Joseph De Grasse and Ida May Park are arranging for more Dorothy Phillips pictures; Elmer Clifton, the new director for the Farnum-Vernon combination, and Jack Conway, who directs Ella Hall, are taking no vacation that autumn subjects may be made ready for Bluebird exhibitors. (Motography, July 7, 1917, pg 22)
1917 - October 20: Carl Laemmle takes active Control of Bluebird
Having finally arranged his otherwise extensive film holdings so that he will have time to devote hinself to his favorite interests, Carl Laemmle, president of Universal, has taken over both the production and distribution of Bluebird photoplays.
The increased activities in Bluebird affairs, which Mr. Laemmle now assumes, as managing director, will involve his full participation in the most important advances the series has made since its establishment, marking a broadening of policy that has for some time been contemplated, and the introduction of innovations still to be announced. Every matter of policy, distribution, production and advertising, in all essential details, will, in future, have his personal attention.
Mr. Laemmle said: "Simultaneously Bluebird enlarges its original scope to encompass not alone the dogma, 'The Play's the Ting,' but goes further to enlist a star in every production. That we may fully exploit our attractions to the mutual advantage of Bluebird and the exhibitor, there will be inaugurated on October 15 [1917] a campaign of national advertising that will employ billposting in all of the more prominent cities in every state from coast to coast. The schedule for this advertising has been prepared; the contracts for posting has been awarded in every town on the list and there will be Bluebirds flying in climates and localities where the bird of happiness has never previously been a-wing during similar seasons." (Motography, October 20, 1917, Vol XVIII pg 816)
1917 - October 20: "Bluebirds Regular at Broadway Theater, New York", Motography, October 20, 1917, Vol XVIII pg 818
1917 - October 27: "November Important Month for Bluebird," Motography, October 27, 1917, Vol XVIII pg 869
1917 - November 3: "Favorite Novels for Bluebirds," Motography, November 3, 1917, Vol XVIII pg 916
1918
1918 - February 2: Laemmle Changes Plays and Titles - Changes in both plays and titles are announced by Managing Director Carl Laemmle for the February program of Bluebirds. The stars involved include Monroe Salisbury, Mae Murray, Carmel Myers and Franklyn Farnum.
Here is the final arrangement for February : " The Wife He Bought " will be presented by Carmel Myers week starting February 4. " Hands Down " will have Monroe Salisbury as its star, released February 11, Ruth Clifford being featured as Mr. Salisbury's leading lady. " The Morals of an Actress " is a Robert Leonard production to be presented by Mae Murray, February 18. " The Rough Lover," to be presented by Franklyn Farnum, February 25, has been previously referred to under its original title, " Breeze Bolton Blows In," a published story by Joseph F. Poland.
Allotments of Bluebirds for March are tentatively forecasted " thus : March 4, Carmel Myers, in " The Green Seal " ; March 11, Monroe Salisbury, in " Hungry Eyes " ; March 18, a Dorothy Phillips production, " Her Fling " ; March 25, Mae Murray, in " The Eleventh Commandment." (The Motion Picture News, February 2, 1918, pg 723)
1918 - March 30: Bluebird to Have Four Regular Companies AN important change has been made in the lineup of the stars and productions which are to be released on its program by the executive officials of Bluebird Photoplays, Inc.
Starting with the week of April 8, the players who will appear regularly in Bluebird productions will be Carmel Myers, Franklyn Farnum, Ella Hall, Ruth Clifford and Monroe Salisbury. The last two play opposite each other and therefore are to be regarded as one unit.
There will therefore be in the future four regular Bluebird companies, containing the stars enumerated above, instead of the greater number that has turned out the features released by this organization heretofore. These companies will provide at least forty of the fifty-two releases for the year. Other stars, however, will occasionally appear on the Bluebird program when their productions are of the quality and standard demanded by the officials of that organization.
Priscilla Dean and Louise Lovely are stars who will provide two of the extra features required to round out the full year's Bluebird output. Examples of their work appear in the list of April's releases.
As they appear in the order of their release, April's Bluebirds are :
April 1, "Fast Company," in which Franklyn Farnum is featured.
April 8, "The Red, Red Heart," with Monroe Salisbury and Ruth Clifford, directed by Rupert Julian.
April 15, Louise Lovely in "A Rich Man's Darling," a comedy-drama.
April 22, "The Two-Soul Woman," an adaptation of " The White Cat," by Gilett Burgess. Priscilla Dean is the featured player.
April 29, Carmel Myers in " The Wife He Bought." The story is by Blair Hall and was adapted by Harvey Gates. Stuart Paton directed the picture. (The Motion Picture News, March 30, 1918, pg 1888)
1918 - March 30: Secret Service" Organized by Universal ACTING upon recommendations made to President Carl Laemmle by Joe Brandt, Universal's assistant treasurer, the Universal company is organizing a " secret service " corps of field men whose sole duty will be to report the reception accorded its various productions.
Mr. Brandt conducted a preliminary investigation along these lines while on a recent tour of the Middle West. One of the complaints made by exhibitors generally was to the effect that producers seem to lack knowledge of the kind of pictures best calculated to attract business of their particular patronage.
Frequently the public's tastes for pictures changes overnight. Today it may consist of a desire to see war pictures. Tomorrow society dramas may be in demand, while on the following day Western dramas are wanted. With an organization of "secret service" men constantly in the field to keep their fingers on the public's pulse, it is Mr. Laemmle's belief that his company will be able to cater to the demand within no greater a period of time than is required to turn out the subjects desired.
The men will be called " Secret Service " men because they will not make themselves known to the exhibitors. Instead, they will enter the theatres as ordinary patrons and observe the effect upon the audiences of the Universal and Bluebird productions that are presented. Whatever criticisms are made will be promptly reported to the home office.
After they have been brought to Mr. Laemmle's personal attention these opinions will be forwarded to Universal City where they will be shown to the directors, who will be able to avoid any errors in production they may have committed in the pictures criticized adversely. (The Motion Picture News, March 30, 1918, pg 1894)
1918 - September 14: Happiness -- that's All!
Others may make sad, sad tales of unhappiness, of crime, of sex problems, of many questionable things popularly thought to be "gripping" - but not Bluebird!
Others may make pictures that you'd "like" to take, but are a little "afraid" of - but not Bluebird!
Others may make pictures that for a time are good - but not Bluebird!
Bluebirds are simply Happiness - simply Entertainment - pictures that you can book right along, year in, year out, with the absolutely certain knowledge that every single one will please your patrons and make money for you.
And that's all that any group of plays can do. (Moving Picture Weekly, September 14, 1918)
Bluebird Photoplays Inc. Filmografie [Auszug]
1919: [03.17] The Light of Victory (Produkce), Režie William Wolbert, with Monroe Salisbury, Bob Emmons, ,
1919: [03.02] A Taste of Life (Produkce), Režie John Francis Dillon, with Edith Roberts, Billy Mason, George Hernandez,
1919: [02.24] The Little White Savage (Produkce), Režie Paul Powell, with Carmel Myers, Harry Hilliard, William J. Dyer,
1919: [02.17] The Sealed Envelope (Produkce), Režie Douglas Gerrard, with Fritzi Brunette, William Sheer, Joseph W. Girard,
1919: [02.10] The Millionaire Pirate (Produkce), Režie Rupert Julian, with Monroe Salisbury, Ruth Clifford, Jack Mower,
1919: [02.03] Sue of the South (Produkce), Režie Eugene Moore, with Edith Roberts, Ruby Lafayette, George Hackathorne,
1919: [02.01] The Nature Girl (Produkce), Režie O.A.C. Lund, with Violet Mersereau, Donald Stuart, Frank Wunderlee,
1919: [01.27] Who Will Marry Me? (Produkce), Režie Paul Powell, with Carmel Myers, Thurston Hall, William J. Dyer,
1919: [01.20] The Game's Up (Produkce), Režie Elsie Jane Wilson, with Albert Ray, Ruth Clifford, ,
1918: [10.14] Together (Produkce), Režie O.A.C. Lund, with Violet Mersereau, Chester Barnett, Bernard Randall,
1918: [12.30] The Cabaret Girl (Produkce), Režie Douglas Gerrard, with Ruth Clifford, Carmen Phillips, Ashton Dearholt,
1918: [12.23] The Sea Flower (Produkce), Režie Colin Campbell, with Juanita Hansen, Gayne Whitman, Fred Huntley,
1918: [12.16] Danger, Go Slow (Produkce: (--??--)), Režie Robert Z. Leonard, with Mae Murray, Jack Mulhall, Lon Chaney,
1918: [12.16] She Hired a Husband (Produkce), Režie John Francis Dillon, with Priscilla Dean, Marian Skinner, Frederick Vroom,
1918: [12.09] Set Free (Produkce), Režie Tod Browning, with Edith Roberts, Harry Hilliard, Harold Goodwin,
1918: [12.02] Tongues of Flame (Produkce), Režie Colin Campbell, with Marie Walcamp, Gayne Whitman, Alfred Allen,
1918: [11.30] All Night (Produkce), Režie Paul Powell, with Carmel Myers, Rudolph Valentino, Charles Dorian,
1918: [11.23] Hugon, the Mighty (Produkce), Režie Rollin S. Sturgeon, with Monroe Salisbury, Marjorie Bennett, Antrim Short,
1918: [10.07] The Lure of Luxury (Produkce), Režie Elsie Jane Wilson, with Ruth Clifford, Edward Hearn, Harry von Meter,
1918: [09.30] The Velvet Hand (Produkce), Režie Douglas Gerrard, with Fritzi Brunette, William Conklin, Gino Corrado,
1918: [09.28] The Talk of the Town (Produkce: (--??--)), Režie Allen Holubar, with Dorothy Phillips, George Fawcett, Clarissa Selwynne,
1918: [09.23] A Society Sensation (Produkce), Režie Paul Powell, with Carmel Myers, Rudolph Valentino, Lydia Yeamans Titus,
1918: [09.16] Beans (Produkce), Režie John Francis Dillon, with Edith Roberts, Lew Cody, Charles K. Gerrard,
1918: [09.14] Modern Love (Produkce: (?) accd. some sources), Režie Robert Z. Leonard, with Mae Murray, Philo McCullough, Arthur Shirley,
1918: [09.09] The Brazen Beauty (Produkce), Režie Tod Browning, with Priscilla Dean, Gertrude Astor, Thurston Hall,
1918: [09.02] That Devil, Bateese (Produkce), Režie William Wolbert, with Monroe Salisbury, Adda Gleason, Lamar Johnstone,
1918: [08.26] Fires of Youth (Produkce), Režie Rupert Julian, with Ruth Clifford, Ralph Lewis, George Fisher,
1918: [08.12] Playthings (Produkce), Režie Douglas Gerrard, with Fritzi Brunette, Myrtle Reeves, Charles K. Gerrard,
1918: [08.05] The Love Swindle (Produkce), Režie John Francis Dillon, with Edith Roberts, , Leo White,
1918: [07.29] The Dream Lady (Produkce), Režie Elsie Jane Wilson, with Carmel Myers, Thomas Holding, Kathleen Emerson,
1918: [07.22] The Deciding Kiss (Produkce), Režie Tod Browning, with Edith Roberts, Winifred Greenwood, Hallam Cooley,
1918: [07.20] Winner Takes All (Produkce), Režie Elmer Clifton, with Monroe Salisbury, Alfred Allen, Betty Schade,
1918: [07.06] The Empty Cab (Produkce), Režie Douglas Gerrard, with Franklyn Farnum, Eileen Percy, Harry de More,
1918: [07.01] After the War (Produkce), Režie Joseph De Grasse, with Grace Cunard, Edward Cecil, Frank Whitson,
1918: [] Scandal Mongers (Produkce), Režie Lois Weber, Phillips Smalley, with Lois Weber, Phillips Smalley, Rupert Julian,
1918: [06.29] The City of Tears (Produkce), Režie Elsie Jane Wilson, with Carmel Myers, Edwin August, Earle Rodney,
1918: [06.22] The Eagle (Produkce), Režie Elmer Clifton, with Monroe Salisbury, Edna Earle, Ward Wing,
1918: [06.10] Which Woman? (Produkce), Režie Tod Browning, Harry A. Pollard, with Ella Hall, Priscilla Dean, A. Edward Sutherland,
1918: [06.16] Her Body in Bond (Produkce: (?) accd some reviews), Režie Robert Z. Leonard, with Mae Murray, Kenneth Harlan, Alan Roscoe,
1918: [06.08] Midnight Madness (Produkce), Režie Rupert Julian, with Ruth Clifford, Kenneth Harlan, Harry von Meter,
1918: [06.02] The Mortgaged Wife (Produkce: (originally announced as)), Režie Allen Holubar, with Dorothy Phillips, Alan Roscoe, William Stowell,
1918: [06.01] A Broadway Scandal (Produkce), Režie Joseph De Grasse, with Carmel Myers, W.H. Bainbridge, Edwin August,
1918: [05.25] $5,000 Reward (Produkce), Režie Douglas Gerrard, with Franklyn Farnum, William Lloyd, Gloria Hope,
1918: [05.19] A Soul for Sale (Produkce: (--??--)), Režie Allen Holubar, with Dorothy Phillips, Katherine Kirkwood, Alan Roscoe,
1918: [05.13] The Guilt of Silence (Produkce), Režie Elmer Clifton, with Monroe Salisbury, Ruth Clifford, Alfred Allen,
1918: [05.11] Danger Within (Produkce), Režie Rae Berger, with Zoe Rae, Winifred Greenwood, William A. Carroll,
1918: [05.05] The Bride's Awakening (Produkce), Režie Robert Z. Leonard, with Mae Murray, Lew Cody, Clarissa Selwynne,
1918: [04.29] A Mother's Secret (Produkce), Režie Douglas Gerrard, with Ella Hall, Mary Mersch, T.D. Crittenden,
1918: [04.28] The Two-Soul Woman (Produkce), Režie Elmer Clifton, with Priscilla Dean, Ashton Dearholt, Joseph W. Girard,
1918: [04.27] The Marriage Lie (Produkce), Režie Stuart Paton, with Carmel Myers, Kenneth Harlan, Harry Carter,
1918: [04.25] The Risky Road (Produkce: (Originally announced as), Režie Ida May Park, with Dorothy Phillips, William Stowell, Juanita Hansen,
1918: [04.22] The scarlet drop (Produkce: (--??--)), Režie John Ford, with Harry Carey, Molly Malone, Vester Pegg,
1918: [04.18] A Rich Man's Darling (Produkce), Režie Edgar Jones, with Louise Lovely, Edna Maison, Philo McCullough,
1918: [04.08] The Red, Red Heart (Produkce), Režie Wilfred Lucas, with Monroe Salisbury, Ruth Clifford, Val Paul,
1918: [04.01] Fast Company (Produkce), Režie Lynn Reynolds, with Franklyn Farnum, Fred Montague, Katherine Griffith,
1918: [03.25] The Wine Girl (Produkce), Režie Stuart Paton, with Carmel Myers, Rex de Rosselli, E. Alyn Warren,
1918: [03.18] Brace Up (Produkce), Režie Elmer Clifton, with Herbert Rawlinson, Claire du Brey, Alfred Allen,
1918: [03.11] Hungry Eyes (Produkce), Režie Rupert Julian, with Rupert Julian, Monroe Salisbury, Ruth Clifford,
1918: [03.08] The Girl in the Dark (Produkce), Režie Stuart Paton, with Carmel Myers, Ashton Dearholt, Frank Tokunaga,
1918: [02.25] The Rough Lover (Produkce), Režie Joseph De Grasse, with Franklyn Farnum, Juanita Hansen, Catherine Henry,
1918: [02.11] Hands Down (Produkce), Režie Rupert Julian, with Monroe Salisbury, W.H. Bainbridge, Ruth Clifford,
1918: [02.04] The Wife He Bought (Produkce), Režie Harry Solter, with Carmel Myers, Kenneth Harlan, Howard Crampton,
1918: [02.04] Morgan's Raiders (Produkce), Režie Wilfred Lucas, Bess Meredyth, with Violet Mersereau, , Edmund Burns,
1918: [02.01] The Grand Passion (Produkce: (Originally announced as)), Režie Ida May Park, Joseph De Grasse, with Dorothy Phillips, Jack Mulhall, Lon Chaney,
1918: [01.28] The Fighting Grin (Produkce), Režie Joseph De Grasse, with Franklyn Farnum, Edith Johnson, J. Morris Foster,
1918: [01.21] Broadway Love (Produkce), Režie Ida May Park, with Dorothy Phillips, Juanita Hansen, William Stowell,
1918: [01.07] My Unmarried Wife (Produkce), Režie George Siegmann, with Carmel Myers, Kenneth Harlan, Patrick Calhoun,
1918: [01.09] The Craving (Distribution), Režie Francis Ford, with Francis Ford, , Peter Fitzgerald,
1917: [01.05] The Girl by the Roadside (Produkce), Režie Theodore Marston, with Violet Mersereau, Cecil Owen, ,
1917: [12.30] Face Value (Produkce), Režie Robert Z. Leonard, with Mae Murray, Clarissa Selwynne, Florence Carpenter,
1917: [12.24] The Scarlet Car (Produkce), Režie Joseph De Grasse, with Franklyn Farnum, Edith Johnson, Lon Chaney,
1917: [12.17] My Little Boy (Produkce), Režie Elsie Jane Wilson, with Ella Hall, Zoe Rae, Emory Johnson,
1917: [12.03] The Raggedy Queen (Produkce), Režie Theodore Marston, with Violet Mersereau, Grace Barton, Donald Hall,
1917: [11.19] The Savage (Produkce: N° 100), Režie Rupert Julian, with Ruth Clifford, Colleen Moore, Monroe Salisbury,
1917: [11.18] The Door Between (Produkce), Režie Rupert Julian, with Ruth Clifford, Monroe Salisbury, George A. McDaniel,
1917: [11.12] Princess Virtue (Produkce: N° 99 (??)), Režie Robert Z. Leonard, with Mae Murray, Lule Warrenton, Wheeler Oakman,
1917: [11.11] The Winged Mystery (Produkce), Režie Joseph De Grasse, with Franklyn Farnum, Claire du Brey, Rosemary Theby,
1917: [11.05] The Lash of Power (Produkce: N° 98 (??)), Režie Harry Solter, with Kenneth Harlan, Carmel Myers, Helen Wright,
1917: [10.29] The Man Trap (Produkce), Režie Elmer Clifton, with Herbert Rawlinson, Ruby Lafayette, Sally Starr,
1917: [10.22] The Desire of the Moth (Produkce), Režie Rupert Julian, with Ruth Clifford, Monroe Salisbury, W.H. Bainbridge,
1917: [10.17] Bondage (Produkce), Režie Ida May Park, with Dorothy Phillips, Gretchen Lederer, Gertrude Astor,
1917: [10.08] Anything Once (Produkce), Režie Joseph De Grasse, with Franklyn Farnum, Eugene Owen, Raymond Wells,
1917: [10.01] The Spotted Lily (Produkce), Režie Harry Solter, with Ella Hall, Jack Nelson, Charles Hill Mailes,
1917: [09.24] Flirting with Death (Produkce), Režie Elmer Clifton, with Herbert Rawlinson, Agnes Vernon, Frank MacQuarrie,
1917: [09.17] The Mysterious Mr. Tiller (Produkce), Režie Rupert Julian, with Ruth Clifford, Rupert Julian, Frank Brownlee,
1917: [09.10] A Stormy Knight (Produkce), Režie Elmer Clifton, with Franklyn Farnum, Jean Hersholt, Agnes Vernon,
1917: [09.03] Triumph (Produkce), Režie Joseph De Grasse, with Dorothy Phillips, Lon Chaney, William Stowell,
1917: [09.03] Mother o' Mine (Produkce), Režie Rupert Julian, with Rupert Julian, Ruth Clifford, Ruby Lafayette,
1917: [08.27] The Charmer (Produkce), Režie Jack Conway, with Ella Hall, Belle Bennett, Martha Mattox,
1917: [08.20] Mr. Opp (Produkce), Režie Lynn Reynolds, with Arthur Hoyt, George Chesebro, George Hernandez,
1917: [08.13] The Show Down (Produkce), Režie Lynn Reynolds, with Myrtle Gonzalez, George Hernandez, Arthur Hoyt,
1917: [08.06] The Clean-Up (Produkce), Režie William Worthington, with Franklyn Farnum, Agnes Vernon, Mark Fenton,
1917: [07.30] The Little Terror (Produkce), Režie Rex Ingram, with Violet Mersereau, Sidney Mason, Ned Finley,
1917: [07.23] The Rescue (Produkce), Režie Ida May Park, with Dorothy Phillips, William Stowell, Lon Chaney,
1917: [07.16] The Greater Law (Produkce), Režie Lynn Reynolds, with Myrtle Gonzalez, Gretchen Lederer, Maude Emory,
1917: [07.09] The Car of Chance (Produkce), Režie William Worthington, with Franklyn Farnum, Agnes Vernon, Helen Wright,
1917: [07.02] Fires of Rebellion (Produkce), Režie Ida May Park, with Dorothy Phillips, William Stowell, Lon Chaney,
1917: [06.25] A Kentucky Cinderella (Produkce), Režie Rupert Julian, with Rupert Julian, Ruth Clifford, Harry Carter,
1917: [06.18] The Little Orphan (Produkce), Režie Jack Conway, with Ella Hall, Jack Conway, Gertrude Astor,
1917: [06.17] Come through (Distribution: (Bluebird Specials)), Režie Jack Conway, with Alice Lake, Jean Hathaway, Herbert Rawlinson,
1917: [06.11] A Doll's House (Produkce), Režie Joseph De Grasse, with Dorothy Phillips, William Stowell, Lon Chaney,
1917: [06.04] Bringing Home Father (Produkce), Režie William Worthington, with Franklyn Farnum, Agnes Vernon, Florence Mayon,
1917: [05.28] Southern Justice (Produkce), Režie Lynn Reynolds, with Myrtle Gonzalez, George Hernandez, Jack Curtis,
1917: [05.21] The Flashlight (Produkce), Režie Ida May Park, with Dorothy Phillips, William Stowell, Lon Chaney,
1917: [05.14] Treason (Produkce), Režie Allen Holubar, with Lois Wilson, Dorothy Davenport, Allen Holubar,
1917: [05.12] Little Miss Nobody (Produkce), Režie Harry Millarde, with Violet Mersereau, Clara Beyers, Helen Lindroth,
1917: [04.30] The Clock (Produkce), Režie William Worthington, with Franklyn Farnum, Agnes Vernon, Frank Whitson,
1917: [04.23] The Girl in the Checkered Coat (Produkce), Režie Joseph De Grasse, with Dorothy Phillips, William Stowell, Lon Chaney,
1917: [04.16] A Jewel in Pawn (Produkce), Režie Jack Conway, with Ella Hall, Maie Hall, Antrim Short,
1917: [04.09] The Pulse of Life (Produkce), Režie Rex Ingram, with , , Wedgwood Nowell,
1917: [04.02] Susan's Gentleman (Produkce), Režie Edwin Stevens, with Violet Mersereau, Maud Cooling, James O'Neill,
1917: [04.01] Even As You and I (Distribution: (Bluebird Specials)), Režie Lois Weber, with , Mignon Anderson, Bertram Grassby,
1917: [03.26] The Gift Girl (Produkce), Režie Rupert Julian, with Louise Lovely, Emory Johnson, Rupert Julian,
1917: [03.19] Polly Redhead (Produkce), Režie Jack Conway, with Ella Hall, Gertrude Astor, Charles Hill Mailes,
1917: [03.12] Mutiny (Produkce), Režie Lynn Reynolds, with Myrtle Gonzalez, Jack Curtis, George Hernandez,
1917: [03.05] The Boy Girl (Produkce), Režie Edwin Stevens, with Violet Mersereau, Sidney Mason, Caroline Harris,
1917: [03.05] Hell Morgan's Girl (Produkce), Režie Joseph De Grasse, with Dorothy Phillips, William Stowell, Lon Chaney,
1917: [02.26] The Saintly Sinner (Produkce), Režie Raymond Wells, with Ruth Stonehouse, Jack Mulhall, Alida Hayman,
1917: [02.19] The Man Who Took a Chance (Produkce), Režie William Worthington, with Franklyn Farnum, Agnes Vernon, Lloyd Whitlock,
1917: [02.12] The Reward of the Faithless (Produkce), Režie Rex Ingram, with Claire du Brey, Wedgwood Nowell, Betty Schade,
1917: [02.05] The Mysterious Mrs. Musslewhite (Produkce), Režie Lois Weber, with Harrison Ford, Mary MacLaren, Evelyn Selbie,
1917: [02.01] The War Waif (Produkce), Režie Allen Holubar, with Allen Holubar, Zoe Rae, Irene Hunt,
1917: [01.29] The Devil's Pay Day (Produkce), Režie William Worthington, with Franklyn Farnum, Leah Baird, Gertrude Astor,
1917: [01.22] God's Crucible (Produkce), Režie Lynn Reynolds, with George Hernandez, Val Paul, Fred Montague,
1917: [01.15] Her Soul's Inspiration (Produkce), Režie Jack Conway, with Ella Hall, Marc Robbins, Dick Ryan,
1917: [01.08] The Piper's Price (Produkce), Režie Joseph De Grasse, with Dorothy Phillips, Lon Chaney, Maude George,
1917: [01.01] Black Orchids (Produkce), Režie Rex Ingram, with Cleo Madison, Francis McDonald, Wedgwood Nowell,
1916: [12.21] The Right to be Happy (Produkce), Režie Rupert Julian, with Rupert Julian, , Claire McDowell,
1916: [12.18] The Honor of Mary Blake (Produkce), Režie Edwin Stevens, with Violet Mersereau, Tina Marshall, James O'Neill,
1916: [12.11] The Price of Silence (Produkce), Režie Joseph De Grasse, with Dorothy Phillips, Vola Vale, Jack Mulhall,
1916: [12.04] The Sign of the Poppy (Produkce), Režie Charles Swickard, with Hobart Henley, Gertrude Selby, Mina Cunard,
1916: [12.04] The Eagle's Wings (Produkce), Režie Robert Z. Leonard, Rufus Steele, with Grace Carlyle, Vola Vale, Herbert Rawlinson,
1916: [11.27] The Bugler of Algiers (Produkce), Režie Rupert Julian, with Ella Hall, Kingsley Benedict, Rupert Julian,
1916: [11.20] The Measure of a Man (Produkce), Režie Jack Conway, with J. Warren Kerrigan, Louise Lovely, Katherine Campbell,
1916: [11.13] A Stranger from Somewhere (Produkce), Režie William Worthington, with Franklyn Farnum, Agnes Vernon, Claire McDowell,
1916: [11.06] Gloriana (Produkce), Režie E. Mason Hopper, with Zoe Rae, Virginia Foltz, William Canfield,
1916: [10.30] The End of the Rainbow (Produkce), Režie Jeanie Macpherson, Lynn Reynolds, with Myrtle Gonzalez, George Hernandez, Val Paul,
1916: [10.23] Love Never Dies (Produkce), Režie William Worthington, with Dorothy Clark, Ruth Stonehouse, Maurice L. Kusell,
1916: [10.16] The Social Buccaneer (Produkce), Režie Jack Conway, with J. Warren Kerrigan, Louise Lovely, Maude George,
1916: [10.09] The Chalice of Sorrow (Produkce), Režie Rex Ingram, with Cleo Madison, Wedgwood Nowell, Charles Cummings,
1916: [10.02] Wanted: A Home (Produkce), Režie Phillips Smalley, Lois Weber, with Mary MacLaren, Jack Mulhall, Charles Marriott,
1916: [09.26] The Evil Women Do (Produkce), Režie Rupert Julian, with Elsie Jane Wilson, Francelia Billington, Rupert Julian,
1916: [09.18] Behind the Lines (Produkce), Režie Henry MacRae, with Edith Johnson, Harry Carey, Ruth Clifford,
1916: [09.11] Saving the Family Name (Produkce), Režie Lois Weber, Phillips Smalley, with Mary MacLaren, Gerard Alexander, Carl von Schiller,
1916: [09.10] The Whirlpool of Destiny (Produkce: (announced as Bluebirdfeature until August 1916)), Režie Otis Turner, with Bertram Grassby, Flora Parker DeHaven, Nanine Wright,
1916: [09.04] The Unattainable (Produkce), Režie Lloyd B. Carleton, with Dorothy Davenport, Emory Johnson, Mattie Witting,
1916: [08.28] The Girl of Lost Lake (Produkce), Režie Lynn Reynolds, with Myrtle Gonzalez, Countess du Cello, Ruby Cox,
1916: [08.21] Little Eve Edgarton (Produkce), Režie Robert Z. Leonard, with Ella Hall, Doris Pawn, Gretchen Lederer,
1916: [08.21] The Beckoning Trail (Produkce: (?) announced as Bluebird production), Režie Jack Conway, with J. Warren Kerrigan, Maude George, Harry Carter,
1916: [08.14] Bettina Loved a Soldier (Produkce), Režie Rupert Julian, with Louise Lovely, George Berrell, Rupert Julian,
1916: [08.07] Love's Lariat (Produkce), Režie Harry Carey, George Marshall, with Harry Carey, Neal Hart, William Quinn,
1916: [08.07] The Mark of Cain (Produkce: (?) - Announced as Bluebird Production), Režie Joseph De Grasse, with Lon Chaney, Dorothy Phillips, Frank Whitson,
1916: [07.31] The Secret of the Swamp (Produkce), Režie Lynn Reynolds, with George Hernandez, Myrtle Gonzalez, Fred Church,
1916: [07.24] The Silent Battle (Produkce), Režie Jack Conway, with J. Warren Kerrigan, Lois Wilson, Maude George,
1916: [07.17] The Grasp of Greed (Produkce), Režie Joseph De Grasse, with C. Norman Hammond, Jay Belasco, Louise Lovely,
1916: [07.10] The Love Girl (Produkce), Režie Robert Z. Leonard, with Ella Hall, Adele Farrington, Kingsley Benedict,
1916: [07.03] Broken Fetters (Produkce), Režie Rex Ingram, with Violet Mersereau, Kittens Reichert, William Garwood,
1916: [06.26] Shoes (Produkce), Režie Lois Weber, with Mary MacLaren, Harry Griffith, Mrs. Witting,
1916: [06.19] The Three Godfathers (Produkce), Režie Edward LeSaint, with Harry Carey, George Berrell, Edward LeSaint,
1916: [06.12] Bobbie of the Ballet (Produkce), Režie Joseph De Grasse, with Louise Lovely, Jay Belasco, Jean Hathaway,
1916: [06.08] Alias Jane Jones (Produkce), Režie Cleo Madison, with Cleo Madison, William V. Mong, Ray Hanford,
1916: [06.05] The Eye of God (Produkce), Režie Phillips Smalley, Lois Weber, with Tyrone Power, Ethel Weber, Lois Weber,
1916: [05.22] A Son of the Immortals (Produkce), Režie Otis Turner, with J. Warren Kerrigan, Bertram Grassby, Lois Wilson,
1916: [05.10] Naked Hearts (Produkce), Režie Rupert Julian, with Francelia Billington, Rupert Julian, Douglas Gerrard,
1916: [05.08] The Gilded Spider (Produkce), Režie Joseph De Grasse, with Louise Lovely, Lon Chaney, Lule Warrenton,
1916: [05.01] Elusive Isabel (Produkce), Režie Stuart Paton, with Florence Lawrence, Sidney Bracey, Harry F. Millarde,
1916: [05.01] The Crippled Hand (Produkce), Režie Robert Z. Leonard, David Kirkland, with Robert Z. Leonard, Ella Hall, Marc Robbins,
1916: [04.24] The Gay Lord Waring (Produkce), Režie Otis Turner, with J. Warren Kerrigan, Lois Wilson, Bertram Grassby,
1916: [04.17] The Great Problem (Produkce), Režie Rex Ingram, with Violet Mersereau, Dan Hanlon, Lionel Adams,
1916: [04.10] John Needham's Double (Produkce), Režie Phillips Smalley, Lois Weber, with Tyrone Power, Agnes Emerson, Frank Elliott,
1916: [04.03] The Dumb Girl of Portici (Produkce: (--??--) (/xx/)), Režie Lois Weber, Phillips Smalley, with Anna Pavlova, Rupert Julian, Wadsworth Harris,
1916: [04.02] Tangled Hearts (Produkce), Režie Joseph De Grasse, Lloyd B. Carleton, with Louise Lovely, Agnes Vernon, Lon Chaney,
1916: [03.26] The Flirt (Produkce), Režie Phillips Smalley, Lois Weber, with Marie Walcamp, Grace Benham, Antrim Short,
1916: [03.19] The Yaqui (Produkce), Režie Lloyd B. Carleton, with Hobart Bosworth, Goldie Colwell, Dorothy Clark,
1916: [03.12] The Strength of the Weak (Produkce), Režie Lucius Henderson, with Mary Fuller, Edwards Davis, Harry Hilliard,
1916: [03.06] Rupert of Hentzau (Distribution: (distributed as) (US release 6 March 1916)), Režie George Loane Tucker, with Henry Ainley, Jane Gail, Gerald Ames,
1916: [02.28] The Grip of Jealousy (Produkce), Režie Joseph De Grasse, with Louise Lovely, Lon Chaney, Grace Thompson,
1916: [02.21] The Wrong Door (Produkce), Režie Carter de Haven, with Carter de Haven, Flora Parker DeHaven, George A. Williams,
1916: [02.14] Hop - The Devil's Brew (Produkce: (announced as)), Režie Phillips Smalley, Lois Weber, with Phillips Smalley, Mildred Harris, Lois Weber,
1916: [02.07] Undine (Produkce), Režie Henry Otto, with Ida Schnall, Douglas Gerrard, Edna Maison,
1916: [01.31] Secret Love (Produkce), Režie Robert Z. Leonard, with Jack Curtis, Helen Ware, Dixie Carr,
1915: [] Jeanne DorĂ© (Distribution), Režie RenĂ© Hervil, Louis Mercanton, with Sarah Bernhardt, Raymond Bernard, Jeanne Costa,
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